Chandler Curve Bender
Abbey Road Curves. Modern Authority.
Control Real Gear. Reserve or Use On-Demand.
Control real analog gear straight from your DAW with the Analog Matrix. The Analog Matrix is not an emulation! It acts as a portal, connecting your digital audio workstation to actual physical gear in real time.
Reserve a session using the calendar below, or jump straight into the Analog Matrix plugin and use equipment on demand as it is available. Note: on-demand access requires credits or an active subscription.
Analog Matrix Interface
The Robotics
Overview
Built from the lineage of the legendary EMI TG12345 console EQ, the Curve Bender takes that classic curve-and-color philosophy and expands it into a mastering-grade, mix-bus-ready powerhouse. Designed by Wade Goeke with input from Abbey Road’s Peter Cobbin, it was conceived as a “fully featured” version of the original desk EQ idea. Ready for today’s workflows while keeping the unmistakable TG attitude!
The magic is in how fast it gets you to “finished.” With 51 EQ points across four bands, you can sculpt lows, open the presence, and add sheen without turning your mix brittle. Hit the Multiply switch when you want bigger moves – boost/cut expands (and the curve tightens) so you can go from gentle polish to assertive tone-shaping in seconds. Add the built-in high-pass/low-pass filters to clean edges and lock the spectrum before compression or limiting.
And because this is Access Analog’s world: you’re not “getting the vibe of” a Curve Bender. You’re running audio through real hardware, controlled from your DAW with robotic recall/presets and pro-grade streaming conversion. Real gear. No emulations.
Visit the Curve Bender website for more information.
Reserve a Session
Reserve From: $6.92
More Information
Description
Built from the lineage of the legendary EMI TG12345 console EQ, the Curve Bender takes that classic curve-and-color philosophy and expands it into a mastering-grade, mix-bus-ready powerhouse. Designed by Wade Goeke with input from Abbey Road’s Peter Cobbin, it was conceived as a “fully featured” version of the original desk EQ idea. Ready for today’s workflows while keeping the unmistakable TG attitude!
The magic is in how fast it gets you to “finished.” With 51 EQ points across four bands, you can sculpt lows, open the presence, and add sheen without turning your mix brittle. Hit the Multiply switch when you want bigger moves – boost/cut expands (and the curve tightens) so you can go from gentle polish to assertive tone-shaping in seconds. Add the built-in high-pass/low-pass filters to clean edges and lock the spectrum before compression or limiting.
And because this is Access Analog’s world: you’re not “getting the vibe of” a Curve Bender. You’re running audio through real hardware, controlled from your DAW with robotic recall/presets and pro-grade streaming conversion. Real gear. No emulations.
Visit the Curve Bender website for more information.